Taiwan is a peculiar place resulting in a peculiar cinema, with Hou Hsiao-hsien being its most remarkable product. Hou’s signature long and static shots almost invite critics to give auteurist readings of his films, often privileging the analysis of cinematic techniques at the expense of the context from which Hou emerges. In this pioneering study, James Udden argues instead that the Taiwanese experience is the key to understanding Hou’s art. The convoluted history of Taiwan in the last century has often rendered fixed social and political.
No Man an Island: The Cinema of Hou Hsiao-hsien, Second Edition read online free book
No Man an Island: The Cinema of Hou Hsiao-hsien, Second Edition pdf free download
No Man an Island: The Cinema of Hou Hsiao-hsien, Second Edition pdf download
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